Filmmakers have progressed a long way from the early use of those rear projection scenes. We make fun of those now but Hollywood FX needed to start someplace. Today, directors can call on the current state of the art innovation to help them inform their story. Some people believe that there is an over dependence on special effects, to the hinderance of story and characterization. New techniques have had one of the most impact on historical impressives, science fiction and animation.
A mix of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. No wonder was beyond the power of unique effects masters.
Further development came when effects supervisor Douglas Trumball invented new techniques for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the challenge and astounded audiences with Star Wars in 1977. His team invented a new computer managed camera that enhanced duplicated electronic camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually pioneered Hollywood FX ever since.
Today, we are used to the idea of movies being shot with a blue screen and the background being added later on. The effects team at Pixar has actually introduced it to their complete length animations, such as Toy Story. The Weta workshop in New Zealand has constructed a credibility as one of the finest special effects business, particularly since the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the epic motion picture possible. It would have been cost excessive to construct a mock up of the Coliseum in Gladiator. Russell Crowe fights the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to begin somewhere. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has actually pioneered Hollywood FX ever considering that.
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